UPDATE: The upcoming film “How to Make a Killing,” directed by John Patton Ford and starring Glen Powell, is drawing significant scrutiny just ahead of its theatrical release on February 20, 2026. Critics are questioning the film’s tonal inconsistencies and overall effectiveness as it attempts to modernize the classic story from “Kind Hearts and Coronets.”
Set against the backdrop of New Jersey and New York, “How to Make a Killing” follows the story of Becket Redfellow, played by Powell, who is just four hours away from execution. The film opens in a prison cell, raising immediate concerns about its timing and tone, as it jarringly attempts to infuse humor into a grim narrative. Ford’s shift from his critically acclaimed debut “Emily the Criminal” to this project has left many spectators puzzled.
Critics highlight a significant disconnect between the film’s comedic aspirations and its dark subject matter. The awkward humor that attempts to relieve the tension often falls flat, leaving audiences more confused than entertained. Powell, typically known for his charisma in films like “Hit Man” and “Anyone But You,” struggles to connect with viewers in a role that feels dull and uninspired.
The film’s portrayal of female characters, particularly Margaret Qualley‘s Julia, has also come under fire. Critics describe her character as manipulative but lacking chemistry with Powell, resulting in uncomfortable exchanges that detract from the overall narrative. The film’s failure to establish meaningful relationships among characters is a recurring theme in these reviews.
Despite the film’s shortcomings, there are moments of promise, particularly in the final sequences featuring Ed Harris. Critics suggest that a more focused narrative pitting Powell against Harris could have elevated the film significantly. Supporting performances from Zach Woods and Topher Grace provide brief moments of levity, contrasting sharply with the film’s overall tone.
The film’s handling of serious themes surrounding the justice system has also raised eyebrows. Critics argue that the depiction of Becket’s death sentence lacks realism and sensitivity, veering into the fantastical without grounding in reality.
As “How to Make a Killing” prepares for its release, it faces the challenge of living up to the legacy of its predecessor. With a runtime of just 105 minutes, some are left wondering if the film will be able to fully deliver on its ambitious premise.
What’s next? Viewers are advised to approach the film with tempered expectations. Critics are already suggesting that audiences may be better off revisiting “Kind Hearts and Coronets” for a more compelling cinematic experience.
Stay tuned for further updates as the release date approaches, and be sure to share your thoughts on this controversial adaptation.
