Japanese period drama Kokuho has emerged as a beacon of hope for the theatrical film industry in 2025, surprising many with its commercial success and critical acclaim. The film, directed by Lee Sang-il, has not only become Japan’s highest-grossing live-action film of all time, grossing over $112 million, but it has also generated significant buzz in international film circles, particularly as a contender for the upcoming Academy Awards in the Best International Film category.
Set against the backdrop of traditional kabuki theater, Kokuho is a nearly three-hour epic that intertwines the lives of two performers over five decades. The story follows an orphaned onnagata prodigy, a male performer specializing in female roles, and the heir to a prestigious theatrical lineage. Their complex relationship is marked by obsession, rivalry, and eventual transcendence, drawing audiences into a rich narrative that explores ambition and sacrifice.
The film premiered at the Cannes Film Festival in May 2025, where it garnered quiet acclaim in the Directors’ Fortnight section. Following its release in Japan, Kokuho quickly became a word-of-mouth sensation, captivating audiences with its immersive storytelling and stunning visuals. In addition to its impressive box office performance, the film is poised for a full theatrical release in the United States in early 2026 after a brief awards-qualifying run in Los Angeles and New York this fall.
From Inspiration to Acclaimed Film
The adaptation of Kokuho springs from an 800-page novel by esteemed author Shuichi Yoshida, who spent years researching kabuki theater as a backstage stagehand. This deep dive into the art form allowed Yoshida to craft a narrative that reflects the rich tradition and emotional depth of kabuki performance. Lee, who has collaborated with Yoshida on previous projects, was inspired to bring this story to life, leading to a film that is both a personal passion project and a tribute to the art form.
In crafting Kokuho, Lee aimed to create a cinematic experience that immerses audiences in the world of kabuki rather than merely explaining it. He notes, “The traditional kabuki world hinges upon this passing down from father to son, and there is a lot of dramatic potential in this.” The film’s exploration of beauty and the sacrifices artists make in pursuit of their craft resonates universally, making it accessible to viewers unfamiliar with kabuki.
The film features standout performances by Ryo Yoshizawa and Ryusei Yokohama, whose portrayals of the lead characters have been described as “icy and incandescent” and “warm and wounded.” Their training in kabuki, overseen by master actor Nakamura Ganjirō IV, adds authenticity to their performances, which are further enhanced by the gravitas of Ken Watanabe as the patriarchal figure influencing their journey.
Reviving Interest in Kabuki Theater
The immersive kabuki sequences, brilliantly captured by cinematographer Sofian El Fani, have not only contributed to the film’s success but have also reignited public interest in the centuries-old art form. Major kabuki venues across Japan have reported increased attendance, especially among younger audiences, highlighting the film’s impact on cultural appreciation.
Lee’s meticulous attention to period details also plays a significant role in the film’s authenticity. He faced the challenge of depicting a 50-year time span while ensuring that the kabuki performances felt genuine. Instead of relying on overt time markers, Lee opted for subtle visual cues, creating a continuous operatic experience that resonates deeply with viewers.
The film’s success has been a transformative experience for Lee, who describes the journey as a “long, grueling” one, yet immensely rewarding. He reflects on the film’s resonance with audiences, noting that it has become a national phenomenon in Japan. “Through the story of these kabuki actors, people got to witness a very human sacrifice across time,” he says, emphasizing the emotional connection forged through shared experiences.
As Kokuho continues to screen at international film festivals, including the Red Sea International Film Festival in Saudi Arabia, its recognition as a cultural watershed moment in Japan underscores the film’s significance. Lee’s passion for kabuki and the intricate storytelling have created a powerful narrative that transcends cultural boundaries, inviting audiences worldwide to engage with the art form.
In conclusion, Kokuho not only showcases the beauty and complexity of kabuki theater but also highlights the sacrifices artists make in pursuit of greatness. As it prepares for wider international release, the film stands as a testament to the enduring power of storytelling and the profound connections it can forge across generations.
