The latest revival of “A Christmas Carol” at Hartford Stage marks its 25th year, showcasing a refined production that balances traditional charm with contemporary interpretation. Under the direction of Michael Wilson, who has helmed this adaptation since the late 1990s, the show has returned after a three-season hiatus due to the COVID-19 pandemic. This revival offers a steadiness and formality not seen in recent years, though some may debate if this restraint has muted the show’s emotional highs.
Wilson’s adjustment to the production aims to provide a cohesive experience, managing the diverse ensemble that includes nearly a dozen acting students from the Hartt School and around 15 child performers from Hartford. These young talents typically play various roles, from the iconic Tiny Tim to the allegorical figures of Ignorance and Want. This year, their performances lean towards a quieter interpretation, contributing to a gentler atmosphere that, while soothing, may feel less exuberant than past renditions.
The production’s pacing has also shifted. Wilson has intentionally crafted a more reflective experience, avoiding grand spectacles in favor of quieter moments, such as Scrooge’s poignant remembrance of his lost love, Belle. The haunting presence of the spirits, which is central to the story, retains its chilling essence; yet, the overall tone feels more controlled.
The role of Ebenezer Scrooge is now portrayed by Guiesseppe Jones, the sixth actor to take on the character in Hartford Stage’s history. Jones brings a nuanced performance that highlights Scrooge’s transformation without excessive theatrics. His portrayal strikes a balance, presenting a more subdued cruelty that develops into a heartfelt resolution by the end of the show. Notably, Jones previously played Scrooge in a different production of Wilson’s adaptation at St. Louis Repertory Theatre.
As the ensemble cast brings familiar faces back to the stage, such as Erik Bloomquist as Scrooge’s nephew Fred and Noble Shropshire in dual roles as the ghostly Jacob Marley and Scrooge’s caretaker, the production maintains a sense of continuity. However, some performances, including Shropshire’s, exhibit a newfound restraint, contributing to the overall tone of moderation.
Among the notable reinterpretations this season is Stuart Rider as the Ghost of Christmas Present, who offers a gentler take on the character, resembling a kindly figure rather than the traditionally boisterous spirit. The character of Mr. Marvel, played by Daniel Madigan, adds a whimsical touch, contrasting with the more serious themes of the play.
The meticulous details in the production remain a highlight. The clock above Scrooge’s bed not only marks midnight but also adjusts throughout the scenes, reflecting the passage of time. The costumes, designed by Alejo Vietti, continue to impress, maintaining a fresh and comfortable aesthetic for a show that has been a staple for decades.
“A Christmas Carol: A Ghost Story of Christmas” runs just under two hours, including an intermission, efficiently weaving together multiple subplots and character arcs while delivering an engaging narrative. The production’s economy allows for a rich theatrical experience, ensuring that the timeless message of redemption remains at its heart.
This year’s rendition, running until December 28, 2023, continues to captivate audiences of all ages. Remaining performances include December 20 at 14:00 and 19:30, December 21 at 14:00, December 22 and 23 at 19:30, December 24 at 14:00, and December 26 and 27 at 14:00 and 19:30. Tickets range from $32 to $115. For more information, visit hartfordstage.org.
In essence, this version of “A Christmas Carol” not only entertains but also serves as a reminder of the importance of kindness and transformation, resonating with audiences as a cherished holiday tradition.
