The long-awaited return of acclaimed filmmaker James L. Brooks marks a new chapter in his storied career with the release of his latest film, Ella McCay. After a 15-year hiatus from directing, Brooks brings his unique storytelling to the screen, although the film has received mixed reviews ahead of its premiere on December 12, 2023.
In Ella McCay, actress Emma Mackey takes on the titular role of a 34-year-old lieutenant governor in an unnamed state during the politically charged year of 2008. As she stands on the brink of becoming governor, the storyline unfolds amidst the backdrop of Governor Bill, portrayed by Albert Brooks, being selected for a position in the president’s Cabinet. What should be a celebratory time is complicated by the presence of Ella’s husband, Ryan (Jack Lowden), her agoraphobic brother, Casey (Spike Fearn), and her unfaithful father, Eddie (Woody Harrelson).
Despite the challenges posed by her family, Ella maintains her optimistic outlook, supported by her aunt Helen (Jamie Lee Curtis), her assistant Estelle (Julie Kavner), and her police escort, Trooper Nash (Kumail Nanjiani). The film follows Ella over several days as she navigates the complexities of governance and the emotional turmoil brought on by her relatives.
Brooks’s direction and writing have come under scrutiny, with critics noting that the narrative often strays from its main focus. Although the film begins as a character-driven exploration of Ella’s life, it meanders into subplots that dilute the central theme. Notably, the story of her brother Casey attempting to rekindle a past romance with Susan (Ayo Edebiri) receives attention, despite feeling secondary to Ella’s journey.
The political elements of the film also appear muddled. While it is suggested that Ella and Governor Bill affiliate with the Democratic Party, the film fails to clarify their political goals or provide a coherent commentary on contemporary political issues. This lack of focus detracts from the audience’s ability to engage with the narrative.
The performances of Mackey and Curtis stand out as highlights in an otherwise uneven film. Mackey, known for her role in the Netflix series Sex Education, brings a sense of confidence and likability to Ella, even as the plot falters. Curtis’s portrayal of Aunt Helen offers a grounded presence, providing emotional support for Ella when she needs it most. Their chemistry elevates the film, making their scenes some of the most compelling.
Brooks appears to invest more effort in developing his female characters, including Kavner, who delivers several of the film’s best comedic moments despite her role as a somewhat unnecessary narrator. In contrast, the male characters, particularly Harrelson and Fearn, are less developed, leaving their portrayals feeling one-dimensional. Lowden’s character also suffers from a lack of depth, which may be a result of the script’s limitations.
While James L. Brooks has a legacy of creating influential television and film over his 60+ year career, Ella McCay does not reach the heights of his previous works. Nonetheless, the film serves as a platform for Mackey, who proves her capability to lead a project and bring life to a story that, without her performance, might have struggled to engage viewers.
As audiences prepare for the film’s release, it remains to be seen how Ella McCay will resonate with critics and moviegoers alike.
